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‘Love’: The best modern introduction to The Beatles

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The biggest hurdle any legacy act has to face is trying to stay relevant. Anyone can try to wear the latest fashions like a glorified costume and hope that everyone doesn’t know the difference, but most kids can tell in a few seconds whether someone’s trying to make a quick buck off them or not. And while The Beatles have made a living out of reinventing their songs over the years, most people who are listening in the modern age will need a better sell than what A Hard Day’s Night had to offer.

Does that mean that those old songs are outdated? No, far from it, actually. I’m not going to be the monster that says a song like ‘If I Fell’ or ‘A Hard Day’s Night’ doesn’t work in the modern age, but there are bound to be people that listen to the old remasters of Revolver or Rubber Soul and still need to get used to what the Fab Four were all about aside from a few catchy tunes.

And in the 1990s, The Beatles Anthology was a step in the right direction. Getting new material from the band and unearthed demos from their golden age was a breath of fresh air, but when the surviving Beatles signed off on a Cirque de Soleil show set to their hits, Love became the archetype for how a band should be reinterpreting their music for a modern age.

Then again, remix albums were nothing new at this point. Metallica had reimagined their songs as classical pieces before this, and Linkin Park had had a huge success with Reanimation, which basically took every song off of Hybrid Theory and gave it a different sound, with different rappers and metal artists giving their spin on the song. But where Love succeeds where the others falter is its complete disregard for the original source material.

Oh, it’s clear that George and Giles Martin wanted to do right by the fans by offering the perfect Beatles experience, but that also meant throwing bits and pieces into the mix that were never supposed to work to begin with. Sometimes it may fit perfectly like ‘Blackbird’ blending in perfectly with ‘Yesterday’, but there’s also the odd moment the album gives fans what they didn’t realise they wanted.

Sure, a song like ‘Being for the Benefit of Mr Kite’ is a whimsical little tune from Sgt Peppers, but juxtaposing that with the Armageddon-esque riff from ‘I Want You (She’s So Heavy)’ and Paul McCartney’s screams from ‘Helter Skelter’ made everyone see the songs in a different light. The Beatles have always been considered pioneers of different genres, and with the new remixes, everyone can see why they were revered back in their day.

And given how many of their songs came out of the Summer of Love, this was what the modern equivalent of psychedelia was all about. All of the songs that had used feedback and countless effects to get their point across in the late 1960s had been replaced by samplers in the modern age, and what better way to create this kind of musical stew than pairing songs together like ‘Within You Without You’ and ‘Tomorrow Never Knows’, which is good enough to make fans wonder why the Fabs didn’t think of combining both tunes in the first place.

Is Love going to replace the band’s classics in most people’s hearts? No, but it doesn’t need to. Albums like Abbey Road and Revolver will continue to be celebrated for years because of how innovative they are, but Love is the perfect vehicle for fans to understand why The Beatles were history’s favourite band. They always wanted something that would thrill the audience as much as it thrilled them in the studio, and this kind of sonic rollercoaster is the perfect place for the seed to be planted for would-be fans.

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