“Just as relevant”: Tony Banks on the Genesis song that still holds up
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(Credit: Raph_PH)
Like the cyclical nature of the “nature or nurture” debate, music is almost entirely inextricable from the culture in which it thrives. Beyond the organic side of such a notion, reflecting the times is also a sign of a great artist, and Genesis, with their rich tapestry of mythological and historical references, exemplifies how deeply music can engage with and interpret the world around it.
A sign of a great band, beyond the obvious qualities of sounding great, is one that can strike a chord with the era’s generation with layers of forward-thinking innovation mixed with nostalgic tropes, the kind of accessible sensibilities that endear in the first place while revealing a multitude of ideas and messages once the curtain is peeled back.
In this sense, Genesis were one of the forerunners in adaptability. Their ability to grow and change with the evolving landscape of music proved that innovation and reinvention are key to sustaining relevance and influence. Since their formation in 1969, they have been a cornerstone of the development of progressive rock, navigating various lineup changes and societal transformation with the grace and drive of a band who really, truly want it.
Even after various distractions with the members’ solo work, Genesis always reconvened with the sole aim of leading the charge, which is an incredible feat considering the fickle nature of the business. However, Invisible Touch presented all the evidence needed of a band whose work was far from over, even as they came together to revisit a project that differed from their respective territories. The best part was that, like their previous effort, Invisible Touch was entirely improvised, which added an organic quality to the whole listening experience.
‘Land of Confusion’ was one of the more ambitious tracks with an even more ambitious music video. Lyrically, the song appeared politically charged; its powerful message concentrated on how the entire composition reflects the uncertainty and turmoil of the time. Expressing concern about the state of the world, Genesis underscored the need for cultural change bolstered by a music video that spoofed various celebrities and public figures.
In the video, Genesis depicts a chaotic world veiled by the physical unease of caricature-like puppets, sending a strong message about confusion in today’s society. At the time, it was seen as both innovative and controversial, mainly because it appeared so bold in its execution of political criticisms and was a significant touchpoint in the broader entertainment and political commentary sphere.
Genesis aren’t typically known for being so overtly political in their music, especially when looking at some of their more courageous contemporaries, but ‘Land of Confusion’ demonstrated their ability and willingness to take the baton when it was appropriate while maintaining a certain quality of unpredictability among the general listener.
Its socially conscious execution also gave it a strangely timeless quality, the kind where you could almost imagine it being released during any era with replaced celebrity figures, and it would still maintain its relevance. According to Tony Banks, the impact of this particular song makes it hard for other Genesis staples to match its energy. “The song is always pretty good, really,” he told Songfacts.
He continued, “The world still seems pretty bizarre. You could do a new version of it today. The video, which was actually a really good video, you could do another one today with a completely new set of people and it would be just as relevant.” In one genius move, Genesis created a song for the ages, one that would singularly exude the band’s identity while proving their ability to adapt and serve a palpable purpose.
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